Paf Paf Lounge Chair

Paf Paf Lounge Chair

Regular price From $2,660.00
Regular price Sale price From $2,660.00
New ITAItaly Certified Sale

Mattiazzi

Marialaura Irvine

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The challenge was to create an upholstered chair that respected Mattiazzi’s expertise in woodworking while incorporating a soft and inviting feel.

Separation of materials, radical simplicity, and functionality in logistics: these are the elements that make up the Paf Paf chair. It features a perfect wooden structure that reflects the DNA of Mattiazzi, and two soft, imperfect cushions that rest, inflate, and deflate. This combination of perfection with the imperfection of feather cushions shapes itself with the user in daily use.

Ash wood with removable fabric / leather upholstery.

upholstery
  • Rohi Arco Aqua

    Rohi Arco Aqua

  • Rohi Arco Cherry

    Rohi Arco Cherry

  • Sørensen Prestige Nougat 40677

    Sørensen Prestige Nougat 40677

  • Sørensen Prestige Cognac 40680

    Sørensen Prestige Cognac 40680

  • Torri Lana Rico 989.021

    Torri Lana Rico 989.021

  • Torri Lana Rico 989.270

    Torri Lana Rico 989.270

  • Torri Lana Rico 989.460

    Torri Lana Rico 989.460

  • Kvadrat Elle 0220

    Kvadrat Elle 0220

  • Kvadrat Elle 0200

    Kvadrat Elle 0200

  • Kvadrat Elle 0350

    Kvadrat Elle 0350

  • Kvadrat Elle 0480

    Kvadrat Elle 0480

Base
  • Natural Ash

    Natural Ash

  • Ash Walnut Stain

    Ash Walnut Stain

Konstantin Grcic: The presentation of your PAF PAF chair caused quite a stir at last year’s Salone del Mobile. The design was completely new in terms of appearance and comfort. This year you are expanding the collection with a lounge chair. How does the new chair differ from its older sister?

Marialaura Irvine: PAF PAF chair was a challenge. No compromises. The form was the result of this process and the lounge chair is a direct consequence: a big cloud to sink into! It has expanded, lowered, while the thickness of the section has increased, but the PAF PAF chair has always been coherent and true to its initial essence: comfort, simplicity and the mixed use of different materials (wood, fabric, feathers). The final result is the continued research of a proportion between the freedom of feathers and the fabric that have been used. In fact, in addition to bouclé, we have included new materials such as cotton fabrics and leather.

KG: I find the lounge chair even more PAF PAF than the original chair. The idea of sitting on a cloud suits this type of low and reclined chair. Good design takes time, especially when you’re creating something different. PAF PAF is based on a very simple idea, but turning it into a product was anything but easy. What was the biggest challenge of the project?

MI: It was not easy to be consistent and not to give in to the use of polyurethane, which makes everything ‘perfect’, which makes everything return to form. PAF PAF looks for the action with the object, the interaction that completes the process. Basically, a human approach that brings the object closer to the people who use it. The complex work was a constant balancing and rebalancing of the sections, the inclination, the size, the number of feathers, the type of fabric, the stitches, the fastenings between the zips, the Velcro, the shape of the inner inserts in the two cushions… In short, we use different materials that behave differently to achieve a common goal: ease of use. Shortcuts are not our method!

KG: Now that the project is finished, can you talk about the kind of environment or situation you would see the PAF PAF lounge being used in… and by whom?

MI: PAF PAF has been described as irreverent. I like this definition because irreverence allows it to blend into any environment. It ‘whispers’, it doesn’t scream style or status. The new lounge version is simply an inviting seat that welcomes you to relax. I can imagine it in the living room of a modern New York penthouse, ‘dressed’ in leather, with a manager smoking a cigar; in the library of a Palladian villa in Veneto, in a sage green textured fabric, with a teenager cross-legged reading King Arthur, in a refuge on the peaks of Mont Blanc, in front of an open fireplace in a bouclé version, with a tired couple sipping a glass of wine, in the lobby of a hotel in Tokyo, with a beige cotton fabric, with children sitting cross-legged, and finally at my home, naked, without fabric to show itself in its integrity, with two pillows for sleeping.

Konstantin Grcic & Marialaura Irvine

Marialaura Irvine

Marialaura Rossiello Irvine (1972) graduated in Architecture in Naples under Riccardo Dalisi. From the poetry of design and a deep respect for tradition, she was catapulted in 2000 into the capital of Italian design, Milan, where she attended a master in Strategic Design at Politecnico. Concreteness became a challenge, marketing, communication and strategy the keynote.

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